I had some great fun yesterday. Now considering the title of this post, you might wonder what I have been up to. But no, I’m far too much of a goody-two-shoes to actually go out and graffiti anything. But what I can do is a piece of artwork in the graffiti style…well, as close as a square cucumber like me can manage.
Do you remember those fun paintings we all did as a kid in school – blob some paint on a piece of paper then fold it over, rub, and open it up to see some pretty butterfly shaped random compostitions? Well, these are what I’m calling butterfly paintings. I used to love them as a kid and I’m loving playing with them now.
This is a technique for creating marbled/semi-blended backgrounds (mostly) on canvas that takes advantage of the slight three-dimensionality of self-leveling gel and its ability to semiblend colour and catch it in mid-motion.
Some time ago I did a series of experiments with paint and bubble bath. They proved quite popular and I had several expressions of interest in a tutorial, so I wrote up my first fully documented Exploration. Since then I have received a request to do a video of the technique. It has taken me a while to get there as I didn’t have the equipment to actually put a video together, but a few days ago I finally managed to wrangle one out of my iPad. It is nothing snazzy, but it does demonstrate a part of the procedure I had difficulty explaining in the tutorial.
I’ve found a new interest – handmade books. In particular, for the moment, accordian books. Along side this discovery I’ve also discovered handcarved stamps and heavily layered work (something I’ve admired a lot recently, but haven’t really tried much myself).
I had nothing tonight for Sunday Sketches, but I did have about an hour to come up with something, despite being exhausted. I found myself playing. I didn’t know what to draw initially (though it is not like I don’t have a pile of unfinished works lying around, but hey, my thought capabilities at the moment are on par with fencing post, so I figured I shouldn’t attempt to ruin anything), so I got out my watercolour pencils and just drew whatever came to mind.
As a bonus, I started reading one of my watercolour painting books, and encountered the technique of lifting off. The book basically described how you can lift off paint by wetting the dried paint with a brush and then blotting with tissue. When I experimented with acrylic glazing, I wiped the glaze with a cloth before it could dry properly to give it texture. I pondered if I could get an interesting effect using the lifting off technique combined with the scrubbing on the petals in this piece.