In the foreground above you can see my Matisse Brilliant Alizarin. In the middle you can see my Golden Alizarin Crimson Hue. The colours are not the same. The equal to Golden in Matisse is the Deep Rose Madder that I have equally fallen in love with. My watercolours by Windsor and Newton have followed the Matisse preference for colour. So which of these is truly Alizarin?
Do you remember string painting in primary school? Where with a lot of glue, string and mess, you make a picture out of gluing string to paper in patterns. If I recall correctly it was sometimes used to create a print as the string created a raised surface.
For a long time I used to look at other artists’ work and be intimidated, particularly if they were very good at what they did. I’m talking those artists that seem to be able to get their realism so real a photograph couldn’t do a better job. While I know I can draw quite well, there is no way I could do the great work that some artists can.