I often explore the capabilities of my art materials. I’m also interested in how they are made and where they come from.
Hey, look everyone, I can do pet portraits! And I’m available for commission. Contact me now to paint your gorgeous loved one.
I had a great day today. I held a paper mosaics workshop at Goodwood Library. Eleven eager artists attended and […]
This is an updated version of a previous exploration. I’ve updated it and reposted it here for today’s workshop participants […]
I’ve just started a new painting.
This isn’t anything new for me, I start paintings all the time, but it suddenly occurred to me that it might be interesting to document the process from the beginning.
In my last post about this I spoke about the procedure as a whole, with a few whys chucked in for good measure. Here I would like to talk about the nitty gritty how.
Basically yellow, orange, red and purple reside beside each other on the colour wheel in that order and are harmonious. However, if you flip the order of the colours and lay them next to each other we encounter the fact that yellow and purple are direct contrasts and spark off each other.
One of the things I have always been concerned about since starting my business around fourteen years ago has been customer satisfaction. I will leap through hoops to make sure my clients are happy with what they pay for – it is a lesson I have learnt very well having spent even longer in customer service. This has not changed now that my focus is my artwork. So one of the first problems I was faced with when starting to paint to sell, was how to find the right equipment and materials to ensure that no matter the skill of my art, the actual physical piece would be good quality and finished correctly. I may not be Da Vinci or Michelangelo, but considering the products they had to work with versus what I have access to, I expect my final product to at least last a lifetime.
The Munsell Color System was created by Professor Albert Munsell in the early 20th century.
Recently, greys have been a little baffling for me. Grey has always been a mix of black and white, but for anyone who has been looking at colour theory, as I have, will discover that the theory says that if you mix complementary colours (those opposite on the colour wheel) you will get a grey.
This is news to me. I’d always considered those colours to be browns, often very useful browns, but the literature says they are greys (or grays if you prefer the traditional American spelling).
I have to say that the title of this post is a little creepy. But no, we are talking the colour of flesh, one of the most challenging colours to create, particularly if you are painting caucasian.